Sony Ax53 vs. AX 100(quick differences)

For a long time, Sony has been at the forefront of prosumer camcorders. Many of the low-budget TV production has used a three-chip VX1000 in the past and Full HD and even 4K versions more recently. Now it’s about to shake up the industry once more, this time with a camera that will specifically assist all of the channels that you’ll find as you go deeper down an EPG. They, too, may record in future-proofed Ultra High Definition thanks to the HandyCam FDR-AX100E.

The FDR-AX1 has recently been popular among prosumers, but at over £4,000, it may be out of reach for many. It’s also a big, bulky camera that’s more pro than consumer, and it’s not exactly portable with a much smaller, standard HandyCam-style design and a price tag of roughly £1,800, the AX100E addresses both of those problems. However, it competes on a level playing field in terms of picture quality.

Willing to know the comparison between the Sony Ax53 with the Sony AX 100? Continue reading this article with me. It outlines the differences between the two models. It also consists of a summarized comparison between the Sony Ax53 and AX 100. Find also the best responses to the commonly asked questions on the two models.

Sony Ax53 vs. AX 100

Sony Ax53 vs. AX 100

Extended version: In terms of image quality, the two cameras are incredibly similar. The Sony AX100 has a larger 1.0 inch-type sensor than the AX53, which gives it an edge. It isn’t exactly 1.0 inches, but that is the “class” it belongs to. The AX100 offers good manual controls for adjusting exposure, with iris, gain, and shutter speed all separately adjustable. These functions are primarily automated on the AX53. You can bypass some automatic exposure constraints by going into the menu and setting a maximum boost level in dB, then manually controlling shutter speed or iris.

Only one of the three exposure controls on the AX53 is manually adjusted at a time. The iris and gain will become automatic whenever you choose to change the shutter speed manually. It isn’t a significant issue for me, but it isn’t as excellent as the AX100 in this aspect. You can do all three manually simultaneously on the AX100 or any mix of manual and automatic.

The AX100 performs best when mounted on a tripod. Image stabilization is a little shaky; the camera was first released and is getting worse with each new camera generation. However, the image quality in 4K is excellent. You can select a bit rate of 60Mbps or 100Mbps.

I tested the two and found very little difference (no change for all practical purposes), but I don’t have a 4K display, so that could be why. I bought 256GB U3 cards and shot in 100Mbps mode by default, only dropping to 60Mbps when I ran out of blank cards.

If you don’t want to use a tripod, or if you don’t want to use one for certain parts of the ceremony, you can use something like a Peak Design adjustable neck strap to attach to the handgrip D-ring and the tripod attachment point on the bottom of the camera, then open the LCD and hold the camera out from you with the neck strap tight. This method has worked for me; however, it took some time to become more fluid in my movements.

The hot shoe on these cameras isn’t ideal for mounting big lights and other accessories. So when you purchase an adapter for both my AX100 and AX53, that allows you to attach heavier or bulkier accessories without the danger of ripping the hot shoe out by the roots. I’m not sure what it’s called, but it attaches to the camera via the tripod hole and has a cold shoe suspended over the top.

The AX53’s strong suit is that it boasts the best image stabilizer ever created. The BOSS, or balanced optical steady shot, is how they refer to it. It’s fantastic. This camera is used to take photos that are similar to those taken with a tripod.

To offer the most stable support for the camera, you’ll still need to concentrate on smooth panning and natural body posing, but it’s astonishing what the BOSS can accomplish. I’ve found that keeping the camera in a slow panning motion covers up any shakiness and closely resembles a tripod pan. So if you need to a video while walking, the BOSS will perform a great job of keeping your image from being shaky.

Another advantage of this camera is that the resolution is full HD in 120p high frame rate mode, whereas the AX100’s is just 1280×720. In my opinion, the difference is minor, yet it exists and is noticeable to me. In addition, the AX53 sports a 20X lens compared to the AX100’s 12X. If you’re shooting in 4K inside a church, I think the 12X will suffice, especially if you’ll be delivering in HD or SD resolution. It would allow you to drop in on the 4K and create the impression of more zooming.

I’ve had a lot of fun with my AX100, and it’s currently my primary tripod camera. I no longer use it handheld since while the neck strap approach works, it also wears me out faster because I have to concentrate so hard on making smooth movements and maintaining the neck strap tension. Simply because of the sensor size, I believe the AX100 outperforms the AX53 in low light. 

I’ve got both cameras next to me and haven’t bothered to perform a low-light comparison, but it would be helpful to someone like you, so I’ll do it when I have a chance. When it comes to low light, I know my AX100 outperforms my Canon XF305, and I also know the AX53 performs more like my GoPro Hero 6 and Sony FDR-X3000. To put it another way, the AX53 performs as a tiny sensor camera in low light.

A quick comparison table between Sony Ax53 and AX 100

SpecificationsSony Ax53AX 100
The connectivityWifi, HDMIWifi, HDMI
Resolution8.29 MP Resolution20 MP Resolution
SensorCMOS SensorCMOS Sensor
Zoom20 x Optical zoom, 1080p HD Video12 x Optical zoom, 1080p HD Video
Accessories InboxA pack of rechargeable batteries, HDMI, an AC adapter, a small USB cable, a guide for the operation, and a power cord.FDR-AX100E/B Handycam, A pack of rechargeable battery, (1960mAh, 6.8V), an ac Adapter,  a Power Cord, a small HDMI cable, Remote Commander (RMT-835 with Battery [CR2025]), USB Connection Support Cable, Lens Hood, Lens Cap, Operating Guide.
Storage File SystemDCF,EXIFDCF,EXIF
The available resolution1920 pixels x1080 p, 1280 pixels x720 Pixels3840×2160 Pixels,1920 pixels x1080 Pixels (1080p HD),1280 p x720 Pixels, 1920 pixels x1080 Pixels, 1280 pixels x720 Pixels
Effect of slow motionNo effectIt has slow-motion effects
Lens focal length32.8 mm to 656 mm29 mm to 348 mm
Lens coverYes Lens CoverYes, Lens Cap, Lens Hood
The range of the aperturef/2-f/3.8 Aperf/2.8-f/4.5 Aper
Lens typeZoomZoom
Optical zoom of the lens20 x12 x
connectivityOther connectivity features- Memory Stick XC-HG DuoWifi- it connects to wifiBluetooth- doesn’t support BluetoothUSB- supportedHHMI- supportedNFC-supportedPictbridge- not available  Other connectivity features- Memory Stick XC-HG DuoWifi- supportedBluetooth-not supportedUSB- supportedHHMI- supportedNFC- supportedPictbridge- not available  
designDimensions-56.9 mm width, 59.44 mm height, 128.52 mm depthWeight- 250 gRugged- not ruggedAvailable color options- blackDimensions—81 mm width, 83.5 mm height, 196 mm depth.Weight- 790 gRugged- not ruggedAvailable color options- black 

Summary of Other features in table form

The automatic Focus  
Speed of the shutter1/10000-8 sec1/10000-8 sec
Scene ModesBeach/Snow, Fireworks, Landscape, Night scene, Portrait, SunsetBeach/Snow, Fireworks, Night scene, Portrait, Sunset
minimum resolution of the image0.3 mp0.3 mp
The file format of the imagejpegjpeg

Frequently asked questions

How does one utilize the BRAVIA Sync function with your camera?

If your digital camera or camcorder has the CTRL FOR HDMI setting, you can use the BRAVIATM Sync feature to control specific settings when connected to a TV.

Before you begin,

This function requires an HDMI® cable (sold separately).

  • Verify the functions accessible when using BRAVIA Sync by consulting your product manuals.
  • Set the camera up.
  • Using the HDMI cable, connect the device to the television.
  • Turn on the television and select the appropriate input.
  • Turn the gadget on.
  • Press the MENU button on the device.
  • Make a selection of options.
  • Select the Main Settings option.
  • Next, CTRL FOR HDMI is selected.
  • Turn it on.
  • Depending on your TV, use the supplied remote to access device controls:
  • Activate the SYNC MENU button.


To conclude, I believe you will be more than pleased with the AX53; for outside photography in daylight, the AX53 produces excellent results. Yes, the AX100 is superior, but unless you’re shooting in low light or with a lot of contrast, it’ll be difficult to tell the difference. You can see some test films in some dark passageways with what I believe are the Japanese equivalent model numbers.

The AX100 excels here, although the difference isn’t significant in many scenarios, and the AX53 is a significant upgrade over the AX33. BOSS, on the other hand, is quite significant in terms of what it can accomplish. It’s not a cure-all, but it helps a lot.

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